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The Write Scent: Philopannyx, by Black Phoenix Alchemy Lab

Using scent to tell a story–scent reviews and inspired prompts for fiction and non-fiction writers.

What’s This? I use perfume oil to inspire character, setting, mood, and so on as I write. I used to post reviews and fiction/non-fiction writing prompts inspired by scent under a blog called The Write Scent, and I figured–since it’s really a part of my process as a writer–I should fold that into my blog here. You don’t need to own (or buy) these oils to use these prompts, but I do my best to review/generate prompts for oils that are current available (Click the scent names!), in case you ARE scent-inspired like me. Without further ado, today’s review and prompts:

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The Write Scent

Using scent to tell a story — scent reviews and inspired prompts for fiction and non-fiction writers.

This is an experiment! I like to use perfume oil to inspire character, setting, mood, and so on as I write. I used to post reviews and prompts inspired by oils in my collection under a blog/page called The Write Scent, and I figured–since it’s really a part of my process as a writer–I might as well just fold it into my blog here.

You don’t need to own (or buy) these oils to use these prompts, but I will do my best to review/generate prompts for oils that are current available (Click the scent names!), in case you ARE scent-inspired like me, and find yourself craving the oil I’m talking about. Without further ado, here are two reviews and prompts to kick this series off:

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A collage of images to represent the novel, including: the torso of a footman in a tailcoat, a warm-hued mansion, the silhouettes of a Victorian man and a woman with flowers in fancy dress, a young woman with brown hair from behind, a servants' bell-board, and some rope.
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ON GOOD AUTHORITY is being PUBLISHED: Fall 2022!

I can’t believe I haven’t posted about this sooner! I imagine that I’ll be saying lots more here about On Good Authority in the months to come, so–for those who were not yet in the know–it is with great joy and a deep sense of delicious unreality that I share this announcement from Publishers Marketplace:

Briana McGuckin's debut ON GOOD AUTHORITY, pitched as Tess of the D'Urbervilles with the emotional, cathartic kink of SECRETARY and the gothic style of Sarah Waters, in which a young woman is placed in a Victorian workhouse before being sent to serve a wealthy family where, if justice is to be served and the dangerous secrets of the family exposed, she must draw the line between servitude and surrender--confronting her repressed desires along the way, to Jessica Tribble Wells at Thomas & Mercer, for publication in fall 2022, by Chris Bucci at Aevitas Creative Management (world).

And yes, this is (a revised form of) my Pitch Wars novel! More details soon to come! I cannot WAIT to share this story!

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Prospective Pitch Wars Mentees: Want Help Picking Mentors?

The application window for Pitch Wars 2021 is approaching, and mentee-hopefuls are probably looking for any advice they can get. If that’s you, I was in your shoes! I applied for the program in 2020, and had the good luck to be chosen by mentor and bestselling author Elizabeth Little.

Pitch Wars 2020 was a wonderful experience for me, not just because I was chosen as a mentee, or even because the showcase helped me find representation, but because of the way my mentor and I worked together to make my manuscript into the truest, most impressive version of itself. Our personalities matched, our visions for the story matched, and our expectations for the Pitch Wars process matched. This compatibility is what made everything else I’d hoped for possible.

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Writer, INC.: Who’s In Charge Here?

People say writer’s block doesn’t exist. “Could a cab-driver refuse to drive, saying she had driver’s block?”

Well, no, but if her passengers were simultaneously shouting at her—turn LEFT, NO, turn RIGHT—she might slam on her brakes, and/or get herself into an accident.

So it’s not a block—not a thing in the road preventing your progress. It’s an internal paralysis, when the voices in your head as you write give opposite advice, so you don’t know which way to turn. Which of those voices is right? How can you tell?

Yours truly took a trip into her own brain to find out just who’s in charge at Writer, Incorporated. What follows is a series of interviews with the various voices in my head, like any perfectly normal person might conduct. It’s like Are You My Mother? but for writers.   

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I’m a Pitch Wars Mentee! (And a Dad Story)

I have the euphoric pleasure of announcing that Elizabeth Little has chosen me as her Pitch Wars 2020-2021 mentee. (More about what that means here.) I called my mom to tell her. I cannot call to tell my dad.

But I need this day to be about him, too. Because I cannot share the news with him, I want to share something of what this would mean to him with you. So, here’s a short story.

In a year, this kitchen table will be covered in boxes of fentanyl patches, probiotic pills and laxatives — the balloon-patterned tablecloth from my dad’s 59th birthday still spread out underneath. In a year, my father will weigh less than I did when I was sixteen, and I will be grateful just to have him answer, groggily, from his gurney-bed when I call out, “Hi, Dad!” But, for now, all is well. He may know he has cancer, but I don’t. He’s sipping his coffee, leaning against a cutting-board-topped cabinet, in blue jeans and a t-shirt. It’s 2016.

He can tell I’m working up to saying something, and I can tell that he just wants me to spit it out. He’s loose, head to toe, except in the eyes. Archetypally he’s a sort of brusque jester – as many New Yorkers are – so, generally, he’s got merry, mischievous eyes. But for me, and certain, serious moments, he saves this look. It goes with the words I’d lop off my right arm for you or, other times, you need me to kick somebody’s ass? He cannot fathom that anything I’d say might suggest my ass needs kicking. Not just because I’m his kid, but because his kid has a record of making him proud.

My dad is (was) a welder and a steamfitter, and he is (was) good at it. Careful. Exacting. Proud. But when I started my undergraduate in philosophy, he had a photo printed of him at work – rappelling off the side of a building. He had my stepmom write “Hang in there, Baby!” (because his penmanship was atrocious), and signed it. When he gave it to me, he said, “Whenever school gets tough, you look at this. You don’t want to have to work the way I do.”  

I did as he said. I wrote a thesis on existentialism as a guide for healthy romantic relationships (which he read and talked over with me – and hey, why not? Socrates was a brick-layer, you know.). I graduated as an Honors Scholar. I got my MLS after that. When I landed a tenure-track job as an academic librarian, my dad cried. He was set, because I was set. He didn’t have to worry about me anymore.

But I wasn’t happy at that job. I loved teaching, and helping students, but as the years passed other aspects of the job were over-growing these, wearing me down. And I’d started asking myself what the point of security was if I wasn’t living a fulfilling life.

I had come to this conversation ready, I thought, until I was face-to-face with my father. He knew, in a way I did not, what the value of security was. He knew what long days of manual labor, without weekends off, could do to a person. That I was ignorant of his reality was exactly as he wanted it – it meant I was better off – but ignorance is still ignorance.

“I’m thinking of going back to school for my MFA,” I say, fast. “Part-time.”

When I don’t translate, he says, “Okay, I’m an idiot. What’s that for?”

“Like an English degree, but for writers. For fiction. I miss writing. It’s not like I think I’m Stephen King or anything, but… I want to try, because I love it. Maybe it’s stupid and won’t come to anything, but I want to try to be a writer.”

Dad puts down his coffee, and stares hard at me. I cringe, and I think of all the notebooks he used to watch me write in when I was ten, filling them up with silly stories. I compare that toothy ten-year-old to the woman at her big desk, next to the photograph. Hang in there, Baby.

Dad waits until I work my eyes back up to his. There is no humor in them, still.  

He says, “It’s about time.”

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It’s Women in Horror Month!

…Which means, it’s time to talk about NOT ALL MONSTERS, an anthology of horror by women writers compiled by the wonderful, Stoker Award-winning Sara Tantlinger (with cover and interior art by Don Noble). Every week in February, Sara’s hosting a round-table on her blog — asking the authors who have written for NOT ALL MONSTERS questions about their stories!

Everything sounds so rich, I’m excited to be in such good company. And as for me, well, “‘The Good Will’ envisions an after-life in which gods are dress-forms and the soul is a quilt…” Read the full inspiration for this and other stories here!

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This is the Best-Case Scenario

There were poinsettias everywhere, because the church was still decorated for Christmas, and my dad was in a box. We were singing “The Lord is My Shepherd” – my aunt, my uncles, my cousins, my husbands, and me – and my dad was in a box. I was kneeling with my head bowed while the rest all filed up to receive the Eucharist, because I am not Confirmed but – also – because my dad was in a box.

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